17th Century Golden Dress, 1600s Gown, Grande Siecle Baroque Ballgown
Golden colour 1600s dress from Vermeer’s paintings with typical 17th century boat neckline. It has corseted bodice, which closes on back lacing. The skirt is a separate item, fastened to the bodice with buttons. The bodice is made of a dense fabric and has cotton lining, but the boning is rather light. As other 1600s gowns, it is designed to be worn over proper undergarments.
You can find the stays (corset) here.
And here’s the chemise which will work well with the dress
1800s Cotton Chemise, Cotton Batiste XIX Century Camisole With Linen Lace
Cotton batiste 1800s chemise with linen lace shoulder straps and decolette detail. Simple yet tender, almost seen-through, will work nicely for any XIX century outfit.
Linen lace goes around the armpit and on front and back plank. The chemise itself is made of 100% cotton batiste
1820s Biedermeier Corset, White Cotton Regency Long Stays, Wooden Busk Regency Stays
Long stays with corded cups for late Regency costumes. Made after 1810s – 1820s patterns and represents typical late Regency – early Biedermeier stays. The corded cups corset lifts breasts, reduces waist, makes figure gracer and helps to keep a good posture. This corset is done of 100% satin face cotton and has pure cotton lining. The central busk is wooden. Can be done with plastic or steel boning
1820s Corded Corset, Biedermeier Lingerie, Late Regency Stays
The corset is made of 100% cotton fabric with satin face and is lined with cotton. It’s decorated with rows of in between layers cord and embroidery. The busk is wooden, it inserts in the ‘pocket’ front part and can be replaced by more elaborated custom one, if you have one. The corset is closed on back lacing
1830s Dress, Early Victorian Gown, Flowery Cotton Romanticism Dress, Vistorian Muslin Gown
Romanticism flowery gown made of light, 100% cotton muslin fabric. It has wide sleeves, supported with light cotton sleeve puffs. Dress bodice is lined with 100% cotton and is closed on back lacing. The skirt is rather full and is a bit longer than the ankle length. The decorative rose belt is also included to the set.
As other early Victorian gowns, this dress is designed to be worn over the proper corset and set of lingerie. You may find the corset here.
The model on photo is wearing a set of petticoats, which you may purchase here.
The fischu neckerchief and sleeves support construction is to be purchased separately, please choose the according option. Please mind that all jewelry and headdressing is the model’s property and are not included into the set
1850s Plaid Dress, Queen Victoria Scottish Gown, Victorian Green and Blue Ballgown
Victorian plaid gown consists of bodice and skirt. The skirt is decorated with 3 rows of black velvet trim. It is made to fit the hoopskirt, which is not included in the set. The bodice is closed on back lacing, which makes the dress adjustable. Bodice bottom and decollete are decorated with black cotton piping. The intricate sleeves detail is decorated with ‘wings’ adorned with black velvet trim.
The dress can be made in other colours, please contact us for options
Beige and black gentle lace gown is to be worn on XIX century themed balls, Victorian and Gothic events. Been inspired by late 19th century costume, the gown creates grace silhouette and feminine lines. Costume consists of the steel boned corset with sufficient waist reduction, and two-layered skirt. The inner skirt is done of beige taffeta, the overskirt is made of 2 kinds of black lace
Belle Epoque Beaded Gown, 1890s Couture Victorian Dress, Gilded Age Pink and Black Ballgown
Late Victorian 1890s beaded gown. Сonsists of bodice and skirt made of polished cotton and lace fabrics.
The skirt has two layers fixed on one girdle and can work with other tops as well. The bodice is corsetted, it has steel boning, uplifting the bust and reducing the waist. It’s made of polished cotton with medium shine and has 100% cotton lining. Closes on back lacing. The sleeves are made of two layered tulle, decorated with drapings and Czech crystal beads. The bodice front has an intricate decoration with crystals and beads in the form of drops.
The gown is made to measure, it will be custom made after your individual sizing you to have the same proportions and the period silhouette as the model on photo!
The gown is designed to be worn over the period lingerie, which includes hip pad and petticoat, which are not included, but can also be tailored for you separately, please contact us to learn about it
Belle Epoque Dark Aquamarine Gown, 1900s Worth Ball Gown
Individually tailored Belle Epoque aquamarine gown. Consists of the skirt and the bodice, decorated with laces, flowers, pearls and shiny stones. The bodice is corsetted, enforced by plastic boning
Bright 1880s gown made of berry red polished cotton. Consists of bodice and skirt as two separate items. The bodice is cotton lined and is decorated with chiffon plisse, satin ribbons and laces. It closes on the back lacing, has steel boning and can be used as a corset, as it gives waist reduction and a good period looking shape. The skirt has 70 cm (27 1/2”) long train and is designed to be worn over the bustle. Makes dramatic effect and perfect as a special occasion gown. Will be custom tailored for you, so any alterations including colours and fabric are possible!
Black Renaissance Cloak, Lucretia Borgia Gown, 1500s Taffeta Coat, Renaissance Tudor Cape
Black Renaissance coat made in thin taffeta with modest shine, decorated by velvet trim borders on front and sleeves. Suitable for renfairs and Tudor events, gives a nice variety to your 1490s-1500s looks.
The overcoat has a sleeveless full-length cut with a small train on back. Stand-up collar and shoulder tipets are decorated with velvet trim. The front remains open to show the dress underneath. The cloak is not lined except for the front openings.
It can be purchased separately or with the dress. Please, see the details for the dress here.
The cloak will make a good pair with Renaissance dresses, as an overlayer for Tudor gown, it also reminds of some later 16th century fashions, where it can be used as an outer layer of the costume as well.
Different colours and fabrics are available
Black Velvet Victorian Cape, Velvet and Lace Gothic Mourning Cape
Perfect velvet XIX century inspired cape, excellent for cool weather and impressive arrival at event. Will look stunning with Victorian and Edwardian clothing. Detailed, impressive, warm.
The cape is closed on neck by decorative silver colour hook clasp and is made of velvet, three kinds of lace and costume viscose as lining.
The cape can be modified for your dimension (length, neck circumference).
The copy can be made of custom colours and materials
Copy and paste this URL into your WordPress site to embed
Copy and paste this code into your site to embed